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Gabriël Metsu : ウィキペディア英語版
Gabriël Metsu

Gabriël Metsu (1629–1667) was a Dutch painter of history paintings, still lifes, portraits and exquisite genre works. He was "a highly eclectic artist, who did not adhere to a consistent style, technique, or one type of subject for long periods."〔A. Waiboer, "Life and Work. A Catalogue Raisonné", p. 1.〕 Only 14 of his 133 works are dated.
== Life ==

Gabriel Metsu was the son of Jacques Metsu (c. 1588 – March 1629) a tapestry worker and painter, originally from Hainault, who lived most of his days at Leiden. In 1625 he married Jacomijntje Garniers (c. 1590 – September 1651), the widow of a painter with three children of her own. It is not known when and where Gabriel was baptized; most likely in a Catholic hidden church but the baptismal records did not survive. Gabriel grew up on Lange Mare and his stepfather, a skipper, must have supported his education, because his mother was a poor midwife.
In 1648 Metsu was registered among the first members of the painters' guild at Leiden. In 1650 he ceased to subscribe. Metsu was possibly trained in Utrecht by the Catholic painters Nicolaus Knüpfer and Jan Weenix.〔Waiboer, A. (2005) The early years of Gabriël Metsu. In: The Burlington Magazine, No. 1223, Vol. CXLVII, p.80-90.〕
Around 1655 Metsu moved to Amsterdam; he lived in an alley on Prinsengracht, next to a brewery and near his relatives, the children of the sugar refiner Philips Metsu.〔(【引用サイトリンク】title=() - Art Records )〕 In 1657 he got into an argument with a neighbor. (It was alleged that Metsu left a brothel at six in the morning.) Gabriel moved to a house on the canal side, where a daily vegetable market was held. In 1658 he married Isabella de Wolff,〔The Speed Art Museum has a portrait of Metsu and his wife.〕 whose father was a potter and mother the painter Maria de Grebber.
At the onset of the 1660s Metsu turned for inspiration to the art of the "fijnschilders" from his native Leiden. Metsu was responding to the market of Dou's paintings,〔Franits, W. (2008) Dutch seventeenth-century Genre Painting. Its stylistic and thematic evolution, p. 182.〕 who sold his paintings all over for exorbitant prices. Metsu may have also influenced Pieter de Hooch.
For a while Metsu trained Michiel van Musscher and Joost van Geel. Metsu died at the age 38 and was buried in the Nieuwe Kerk. Three bells were tolled; a habit in use with Dutch Catholics at that time. His widow left for Enkhuizen, to live with her mother. Isabella was buried in the Zuiderkerk in 1718.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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